Sean_Conley I’m shooting a feature and a professional color house will be handling the grade. Is there any benefit to shooting in ProRes 4444XQ over ProRes 4444? I want to give this post house the best possible files to work with.
Jerome Sean_Conley best possible theoretically is xq however in case of 12 but adc cameras 444 is already visual losless, so no added benefits of higher data rates, so my suggestion is to go with 444, unless the producer vows against it and pays for the harddrives