Sean_Conley hey Sean our lut is designed to take native kinefinity footage and transform it to arri log c and alexa colorspace. So the right way of doing this is: node 1 kinelog to arri log c 65 cube lut , on 2nd node for instance a colorspace transform from arr wide gamut 3 and arri log c3 to whatever space you are working in (most probably rec709 gamma 2.4) but many other ways are possible for grading. But ALWAYS use our LUT on the first node. Sometimes we add one node before our lut, if the whitebalance is crooked or exposure is crooked, in such case we use wb, and the offset slider only. This workflow is obviously for a normal non color managed workflow, when working in davincy widegamut color workflow, some other things has to be done. We will update our workflow to reflect that.